album released – Cali Menteur Sun, 27 Mar 2022 20:56:17 +0000 en-US hourly 1 album released – Cali Menteur 32 32 Avril Lavigne has recorded numerous collaborations for a new album – Music News Sat, 08 Jan 2022 08:08:42 +0000

Avril Lavigne’s new album will contain “the most” of collaborations she has ever had.

The hitmaker “With You” will release her new record next month and told fans that the coronavirus pandemic has worked in her favor because so many musicians were stuck in Los Angeles so it was easier to get them in. in the recording studio without having as many commitments to coordinate.

She said, “I have a bunch of different features on the drive, the most I’ve had before, since everyone was in town.”

The 37-year-old singer described the still-untitled album as a “love letter to women and empowerment.”

She added on an Instagram Live: “The spirit and energy of this record is so much fun.”

The album will be released on Travis Barker’s DTA records and Avril recently praised the Blink-182 rocker for being an “explosion” to work with.

She said: “Well it all started with Blink 182 being one of my favorite bands.

“And I have admired Travis my entire career.

“We worked together on ‘The Best Damn Thing’ on this album and he played drums.

“And on that, Travis produces, we write together and we had a lot of fun collaborating in the studio.

“Now I’m signed to DTA Records, which is his label, and it felt natural to me and it made sense.

“And I think creatively we just click, he gets me. Working with Travis, you’re absolutely right.

“Where he’s like, ‘Well, what do you want? And he said to me, “This is my opinion. This is what I think.” But in the end, he said to me, “I want this to be your decision. I want you to be happy about it.”

“Because he understands because he is an artist. He will like to sit down, discuss with me, give me his opinion and his comments.

But in the end, of course, I’ll listen to him, but he says to me, “Make the decision for yourself. “So yeah, that was cool.”

British star Adele returns with new ferocity on ’30’ album – Music – Arts & Culture Sun, 21 Nov 2021 14:44:35 +0000


Copies of new album by British singer-songwriter Adele, 30, at Sister Ray record store in London (Photo: AFP)

In line with her other three records, British artist’s highly anticipated new studio album “30”, released Friday, plunges into romantic pangs with the heartbreaking high notes set to moving piano arrangements that made her a well-known name.

The debut single from the album “Easy On Me” has reigned supreme on the US and UK charts since its debut four weeks ago, proving the enduring strength of Adele’s prowess as a hitmaker with wide appeal.

His record falls after years without headlines and an expanse of musical silence, defying current pop standards for fast streaming-compatible hits and an urgent social media presence.

But Adele’s announcement this fall that a new album would soon be made up of soundtrack breaks and melancholy contemplation across the globe sparked a media blitz, including covers from Vogue and Rolling Stone as well as a prime-time Oprah Winfrey interview merged into a televised concert that drew over 10 million viewers in the United States.

In the years since the 15-time Grammy-winner’s last album “25” – which included the mega-bit “Hello” – Adele’s nearly decade-long relationship with Simon Konecki, including two years of marriage, dissolved.

She sifted through the fallout from this traumatic time for “30”, probing its implications for her own life but also for her nine-year-old son with Konecki, Angelo.

“There were times when I was writing the record or listening to something and I was like, ‘Maybe it’s a bit too private, maybe it’s a bit too much for me to turn off” “she told Winfrey.

“But nothing is as scary as what I’ve been through for the past two or three years behind closed doors. So I’m not afraid of what people may or may not know.”

‘I want to live’

While the 12-track “30” includes the Adele manual – those slow, sad stories of feeling abandoned and lonely – she doesn’t look back on her previous work.

The new album sees the 33-year-old megastar marry her classic piano pop with new inflections of Motown and reggae, Afrobeat and dance music.

But it’s Adele’s sharp handwriting delivered in her smoky volcanic range that does the heavy lifting on “30”.

“They say to play hard, to work hard, to find a balance in sacrifice”, she proclaims in “I Drink Wine”, a track which goes from a groove of the 1970s to a meditation supported by a choir. gospel about self-acceptance.

“And yet I don’t know anyone who is really satisfied.”

In “Love In The Dark”, she sings “I want to live and not just survive”.

“I definitely felt like this,” she told Winfrey. “But that’s when I let my own friends know who thought I was really happy that actually I’m really unhappy and they all gasped. Do? Why am I doing it? ? “

Some of the “30s,” she told Vogue, were a way of dealing with the answers to the big questions her son had about his parents’ separation, things that are hard for a child to “make sense of. nine years “.

“My little love,” she sings in a song dedicated to her son, which also includes recordings of diaristic voice memos of conversations with Angelo. “I see your eyes / Widens like an ocean / When you look at me / So full of my emotions.”

The North Londoner who now lives in Los Angeles is rare in the music industry in terms of the extent of her fan base, which includes people who listen to terrestrial radio and buy physical albums while hundreds of millions others disseminate his work.

Along with the wave of positive reviews coming in, his new record is set to be another resounding commercial success.

But no matter what the numbers “30” do, Adele swears it will remain a work close to her heart.

“It’s sensitive to me, this record, how much I love it,” she told Vogue.

“I always say ’21’ is no longer mine,” she continued, referring to her acclaimed second album.

“Everyone took it so much to their hearts. I won’t let go of this one. It’s my album. I want to share myself with everyone, but I don’t think I’ll ever let this one go. “

Short link:


Paul Stanley and Gene Simmons recall KISS’s failed “wacky” concept album “Music From” The Elder “”: “We sold six copies” Mon, 08 Nov 2021 23:09:04 +0000


1981 was a difficult year of transition for KISS, following the replacement of original drummer Peter Criss by Eric Carr, the hard rock titans therefore decided to take a bold new direction with an orchestral prog-rock opera, Music from “The Elder”. The Risky concept album was based on a fairy tale of good versus evil, light versus dark, initially scribbled on the stationery of the Beverly Hills hotel by the group’s Gene Simmons – a passing story adulthood about a star-eyed protagonist known as “The Boy,” who is recruited by the Council of Elders from a heroic troop of freedom fighters called the Order of the Rose, then mentored by a wise old guardian named Morpheus.

Gee, what could possibly be going on?

Well back then it looked like a parcel could go right. Wool reunited KISS with the legendary Destructive producer Bob Ezrin (a seemingly exciting development for old-school fans who had been put off by KISS’s previous two pop / disco albums, Dynasty and Unmasked), and it featured lyrics by none other than Lou Reed on “Mr. Blackwell”, “Dark Light” and “A World Without Heroes”. It was even intended to be a fantastic feature film starring the moment Meatballs/My bodyguard Teen actor Chris Makepeace as the boy and possibly Patrick Stewart as Morpheus, according to Simmons. But the album, KISS’s ninth, was not at all what fans had come to expect from the band, and it completely exploded when it was released on November 10, 1981.

KISS did not turn Music by “L’Ancien” – KISS’s first album not to go gold in the US – and they’ve rarely performed any of her tracks in years, other than a memorable “A World Without Heroes” on MTV unplugged in 1995. Original guitarist Ace Frehley, who allegedly released a The Elder against a wall after his solos were edited out of the final mix, left the lineup shortly after the record failed. And needless to say that Elder the movie never arrived. Make peace made recording spoken dialogue for the album, but his contributions also went unchecked, and all he got was a mysterious “thank you” in the cover credits.

While Music by “L’Ancien” was a disaster at the time, the group recovered, and the unmistakably ambitious company has since seen a slight critical appraisal, with Classic rock magazine even included the record in its list of the “20 Most Underrated Classic Rock Albums of All Time”. But judging by this new interview from Yahoo Entertainment, KISS’s Simmons and Paul Stanley haven’t liked this flop business much in the past 40 years. Here, they discuss what exactly happened in ’81, with their usual frankness and a surprising amount of self-awareness and self-mockery.

Yahoo Entertainment: Hope you let me go, because this year marks the 40th anniversary of a record that I think was not critically understood at the time, but somehow had a hit. Renaissance. And it’s Music by ‘The Elder.’ Classic rock the magazine named it one of the “20 most underrated classic rock albums of all time”. I know it was sort of in the middle of a transition phase for KISS. What was the state of mind for such an ambitious and risky project at the time?

Paul Stanley: We were lost. We were delusional. We had become complacent and a little ungrateful for the success we had and on which it was based. So we were lazy, and I think we had all become very comfortable with a rich lifestyle, so to speak, and became more concerned with how our contemporaries viewed us rather than our fans. And I think the fans have been abandoned. We couldn’t do a rock album. We had no teeth. We were scrub at the moment.

Simmons Gene: When you do something, you want authenticity and honesty. It was a dishonest record. … Wool was misdirected. We were very popular and we played in stadiums and stuff. And when we had a change in the lineup – [Peter Criss] had succumbed to certain clichés and rock ‘n’ roll, and all of us, Ace, Paul and I voted to have him kicked out of the band. So we got a new guy, Eric [Carr], God bless him, who sadly passed away. And we had some free time. And I was at the Beverly Hills hotel, of all the places, because I started having fun with movies and meeting those kinds of people – going to Paramount, all that. And eventually I ended up doing a few movies and producing some, but that wasn’t the real thing for me. And I started to write. And the first thing I wrote was on the stationery of the Beverly Hills hotel: “The old people, when the Earth was young, they were already old. It started with a treatment of the story that I wanted to turn into a movie – a Tolkien-style thing, with inspiration from The watcher from Marvel and so on. … We brought back Bob Ezrin, who may have produced our best record, Destructive, until there. … It was Bob Ezrin who said, “Let’s do a concept album. Gene, I love your story. Let’s create songs based on your story.

Stanley: When we got together with Bob Ezrin, I really hope he helps us save the ship, so to speak. We all jumped at this idea of ​​”Well, let’s show people!” We’ll show them how smart and musical we are! “It really came to say,” Well, we can not at the moment – we cannot rock. “… You can’t stray from Bob’s discography and his credits, that it really shaped Alice. [Cooper] and the group in what they were. I mean I saw this with my own eyes when we worked together on Destructive. … Bob was intrinsic and so important, certainly to Alice. And, The walltestifies to his talent and Destructive was a real training camp for us. Quite honestly, I think we were all hoping to do something big. And when you fall, and you fall off eight inch heels, you fall hard.

Yahoo Entertainment: I’ve always wondered about it, because around the same time Music of the Old the album was released, there had been The wall film, and Bob Ezrin had worked on The wall. So I always wondered if Pink Floyd’s The wall, was it any inspiration for you to have your own Wall?

Simmons: Well the real story behind Woolwas this kind of delusional idea: “Hey, the Who had Tommy! Let’s have ours Tommy! “And why do you need this? You know, it’s like Zeppelin doesn’t have Tommy. And they did well.

Stanley: It was madness.

Yahoo Entertainment: You worked with Lou Reed on Wool, however, which is pretty cool. I mean, a lot of rock bands would be very happy to say that.

Stanley: Well Lou came to some of the rehearsals, and Lou also lived across the street from me, and Bob lived across from them as well. So, you know, it was a neighborhood project.

Simmons: So, [Ezrin] I asked Lou Reed to come over for a day and we started to have fun with the lyrics, and it was written aside on one of Lou’s papers: “A World Without Heroes.” And immediately we all said, “That’s a cool title. It’s awesome. And a world without heroes? A world without heroes is not a place to be. Etc. So the song wrote itself, based on some of the things Paul had, namely “Every little piece of your heart…” Paul was writing more romantic things. … that’s what you [women] wants to hear.

Stanley: What came out was, I don’t think particularly, very good; sometimes it’s pounding. Most of my voices there. If you have seen the Little rascals, how Alfalfa would sing in a pseudo-operatic voice, or try to do it.

A promo for ‘Music From “The Elder” by KISS (Photo: Casablanca Records)

Yahoo Entertainment: So was Did he ever really consider being a stage production or a movie?

Simmons: Yes. We actually had Chris Makepeace. He was an actor at the time that had just come out My bodyguard. … And he actually got picked for the lead role and we started playing him. I don’t remember if Patrick Stewart was involved as Morpheus; maybe he was. But, he started to have legs. And we were going to make a movie, but like most movies now, over 95% is never made, even though there are scripts and everything. So we had treatment based on – I mean, my treatment – but it stopped there and we kind of gave up.

Stanley: It is how delusional we were. We might as well be talking about launching a rocket to Mars, you know. I mean you can speak about it, but in fact, there is so much in there. And quite frankly, if you were to send a rocket to Mars, you need a rocket and fuel. And to the extent that Wool, I don’t think we had either. … It was forced, and I think the songs weren’t great. And we were full of ourselves.

Simmons: There are a few songs that I like. I like the “I”, which was semi-autobiographical about my stance on anti-drugs: “I believe in myself”. Why would I hurt my body and my mind? I believe in me. There were some decent songs there. But what was lacking was honesty. It was a badly directed album.

Stanley: There were a lot of issues within the band, and Bob had his share of issues, and it was an album that to me was just a picture of a bunch of people who were lost. You had to be there to know how difficult it was to go through with it. And it wasn’t anyone’s fault in particular. It was all of us. It was just symptomatic that we weren’t all in the right place.

Yahoo Entertainment: Well, I appreciate it for what it was.

Stanley: And that doesn’t mean your opinion isn’t as valid as mine! … So if Classic rock or someone wants to think it’s underrated, God bless him. This means that we have sold six copies.

Learn more about Yahoo Entertainment:

· Paul Stanley talks about Soul Station, masculinity and the importance of wearing masks: “Not being able to express my opinion actually seems anti-American”

· Gene Simmons remembers producing Van Halen’s first demos – and why he tore up their contract: “They don’t owe me anything”

· KISS revisits “Phantom of the Park”, 40 years later – “Wow, that was weird”

· Gene Simmons from KISS talks about COVID vaccinations: “I firmly believe it should be law”

· #NoMakeupSunday: when KISS showed off her face on MTV

Follow Lyndsey on Facebook, Twitter, Instagram, Amazon, Spotify.

– Video produced by Jen Kucsak, edited by John Santo


The cover of the album Adele dragged by the tweeps Fri, 15 Oct 2021 07:00:00 +0000


Adele tops the charts after debuting her new single Easy on me and tease his next album 30…

But while fans love her “simple divorce”, they’re not entirely fond of her album cover art. In fact, the images have become the target of many parodies on social media.


Adele posted the cover art for her album, including her cover of the latest single Easy on me on social media this week.

Both images show her posing in a side profile – the single features a black and white image of the 33-year-old, while the album cover features a color image of the blonde star against a blue background.

But a number of fans believe the artwork is lacking.

“Adele’s coverage is so basic, not good,” said one fan. “Adele could have done so much more with the album art,” added another.

A third came up with the shadow: “Did a plastic surgeon take this?” They tweeted.

Some even accused the singer of copying other stars …

And then there were the parodies….

Read also : SA praises Adele’s “Easy On Me” and hopes for an amapiano remix [watch]


Meanwhile, Adele revealed that the album’s first single Easy on me was inspired by a “massive argument” with her ex-husband Simon Konecki.

She told BBC Radio 1: “It was the first song I wrote for the album, really dating back to early 2019.

“I was making decisions in my life, which have been well documented over the past few years, but it was just sort of a discussion gimmick or whatever in the case of my son’s father and all that or a massive fight – which I certainly did!

“Normally I’m not confrontational, but you can initiate something and then say, ‘Wait a minute, take it easy, naked with me while I try to find my bearings.’ “


Adele’s team in talks for a TV special to promote a new album? – Music news Mon, 04 Oct 2021 07:00:00 +0000


Adele’s team are rumored to be in talks about a possible TV special to promote their long-awaited new album.

There is still no official release date for the long-awaited record – which is set to drop in the coming months – however, the megastar team is reportedly exploring the idea of ​​another TV show after the TV broadcast of the hitmaker “Someone Like You”. concerts on the BBC in the UK and NBC in the US for their 2015 LP ’25’.

Sources told Vulture that: “Adele’s camp has approached several networks and platforms about the idea of ​​staging a TV special related to the new version.”

Given the album’s seemingly imminent release, however, there may not be enough time to film this type of production.

Yesterday (04.10.21), Adele returned to Twitter after a nine-month hiatus as fans continue to anticipate news of the album.

The ‘Hello hitmaker teased fans about his comeback by taking to Twitter to joke about Instagram, WhatsApp and the global Facebook blackout.

Responding to the official Twitter page post that read, “Literally Hello Everyone,” the 33-year-old singer replied, “Hiya babes!”

Twitter timelines were full of people joking that Adele had blocked social media apps from working with her comeback album campaign.

The “Rolling in the Deep” hitmaker changed his header and profile photo to a shade of blue-green, sparking speculation about an ongoing ad.

Additionally, the Grammy winner invites fans to subscribe to her website for the latest information.

And last week, billboards with “30” were spotted across the world, and all of Adele’s albums were titled as Ages.

“30” should be the continuation of “19”, “21” in 2011 and “25” in 2015.

Album rumors have been swirling for some time now, and after Taylor Swift announced the release of “Red (Taylor’s Version)” a week earlier than expected, it was suggested that she change the date to make way for return of Adele LP.

The 31-year-old megastar’s re-recording of the acclaimed 2012 album will now be released on November 12, instead of November 19, and it could have something to do with the rumor that Adele dropped her record this month after. The ‘Skyfall’ hitmaker started trending online after the announcement.

‘Shake It Off’ hitmaker tweeted Thursday (09/30/21): “I have news that I think you’re going to like – My version of Red is coming out a week earlier than expected (including 4-record vinyl) in November 12th! Can’t wait to celebrate the 13th with you and our new / old fall heartbreaking album. (sic) “


]]> 0
Nirvana’s “Nevermind” album cover may change for upcoming reissues Mon, 04 Oct 2021 07:00:00 +0000


Dave Grohl has hinted that the coverage of Nirvana’s “Nevermind” may change.

The iconic artwork features then-four-month-old Spencer Elden naked in a swimming pool looking for a dollar bill, but the subject recently filed a lawsuit alleging the image was child pornography and insisting that her parents had not signed a waiver authorizing the use of her image on the cover.

READ ALSO : From rock to pop: Dave Grohl wants to play drums for ABBA


The band’s former drummer suggested the cover could be “edited” for future reissues after Spencer requested that his genitals be censored in all subsequent releases.

He told The Sunday Times magazine:

“I have a lot of ideas on how we should change this coverage, but we’ll see what happens. We will let you know. I’m sure we’ll find something good.

But the leader of the Foo Fighters tries not to pay too much attention to the legal feud.

“I think there is a lot more to hope for and a lot more to experience than getting bogged down in this stuff. And, luckily, I don’t have to do the paperwork, ”he added.

Next month, a 30th anniversary reissue of the classic album will be released and pre-orders are currently available on the Nirvana website, with the uncensored image on the artwork.

Although U.S. law does not generally consider non-sexualized images of infants to be child pornography, Spencer’s lawyer Robert Y. Lewis has previously argued that the overlaid dollar bill makes the baby look like “a baby”. sex worker ”.

It was also alleged that the group had promised to cover her genitals with a sticker, but this has not been confirmed.

Elden claimed he had “suffered and will continue to suffer damage for life” because of the artwork.

Besides “extreme and permanent emotional distress”, he also claims to have experienced “interference with his normal development and academic progress” and to have received “medical and psychological treatment”.

The LP is one of the band’s most iconic records, and boasts the hit singles Smells like Teen Spirit and Come as you are.

He sought damages of $ 150,000 (£ 109,000) from each of the 15 defendants named in the lawsuit, which includes photographer Kirk Weddle, widow of late singer Kurt Cobain Courtney Love, the managers of his estate and the surviving band members Dave and Krist Novoselic.

In the past, Elden has recreated both teenage and album cover – while wearing a swimsuit – for the album’s 10th, 20th, and 25th birthdays, and at different times he has described the photo as both “positive” or something that felt like his “human rights” were being revoked.

READ ALSO : Emily Ratajkowski accused Robin Thicke of groping her


]]> 0
The Beatles’ Abbey Road album cover story Sun, 26 Sep 2021 07:00:00 +0000


September 26, 2021, 08:00

The Beatles – Abbey Road album cover: photo by Iain Macmillan, design by John Kosh.

Image: Press / Apple Records

One of the most famous photographs of all time was taken in August 1969. Here is the story behind the Abbey Road album cover.

Abbey route was the last album The Beatles recorded and it was released on Friday September 26, 1969 with a truly iconic cover photo. It represents the four men – George Harrison, Paul McCartney, Ringo Starr and John lennon – walk a zebra crossing located on Route de l’Abbaye, outside of EMI studios in London, where the band had spent the majority of their groundbreaking recording career.

The LP and its memorable cover art put the location on the map – previously known as the old EMI studios, the building became known as the Abbey Road Studios in the light of this flagship album. Millions of people made the pilgrimage of the crossing to have their photos taken and pay tribute to the genius of the Fab Four and dozens of artists have parodied the cover, The simpsons to the Red hot peppers.

Abbey Road during coronavirus lockdown on April 16, 2020

Abbey Road during the coronavirus lockdown on April 16, 2020.

Photo: Barry Lewis / InPictures via Getty Images

And everything was shot in a few rushed minutes on Friday August 8, 1969 …

That day John, George and Ringo were working on I want you (she is so heavy) and The end inside the studio, while Macca worked on Oh! Dear, but before they got down to business, they exited Abbey Road Number 3 to be photographed for the cover. Here are some facts about that 1969 summer day that you may never have heard before …

  1. Where exactly is Abbey Road intersection?

    Before the arrival of the Beatles, Abbey Road’s main claim to fame was being a stone’s throw from Lord’s cricket ground. The crossing is located at the southernmost point of Abbey Road, at the junction with Grove End Road, in the St John’s Wood area of ​​north-west London. The postcode for Abbey Road Studios is NW8 9AY – if you are looking for the crossing near the Abbey Road Station on the London Underground map, you would be far away. It’s actually a Docklands Light Railway station in east London, miles away!

    Abbey Road Studios in 2006

    Abbey Road Studios in 2006.

    Image: Brian Rasic / Getty Images

  2. The album wasn’t going to be called Abbey Road at all

    At the end of the album sessions, the four Beatles discussed a title for the record. One idea was to call her “Everest” after the cigarettes that the engineer Geoff emerick smoked during the sessions. When a plan was proposed to take a cover photo in the Himalayan foothills to illustrate the title, the group abandoned the idea and instead opted for the simplest plan possible: having the photo taken by the outside the studio and call it Abbey Road!

    For the only time in their career, The Beatles presented the world with an album cover that did not bear their name or the LP title at all. Designate John kosh claimed the EMI bosses were furious, but argued, “The biggest group in the world, you don’t have to say who they are – everyone knows who they are.”

  3. The four Beatles are pictured walking away from the studio

    The Beatles’ So be it The album was released in May 1970, but the material had been recorded over a year earlier, meaning that Abbey Road was the last set of material to be produced by the Four Beatles. In fact, the last shoot to see John, Paul, George and Ringo together in the studio was on August 20, 1969. So it is significant that the photo chosen for the cover shows the four crossing the road with Abbey Road Studios behind. them. – it’s the white building on the left of the photo. Lennon leads the group – which is also important as he was the first member to leave The Beatles for good.

    The zebra crossing at Abbey Road, London in 1996

    The zebra crossing at Abbey Road, London in 1996.

    Photo: Brian Rasic / Getty Images)

  4. Only six photos were taken by photographer Iain Macmillan

    Road traffic was not the same 50 years ago, but Abbey Road was still a busy thoroughfare, which meant the photographer Iain macmillan had little time to take his picture with his Hasselblad camera. A police officer cut off traffic as Macmillan climbed a stepladder in the middle of the road. The Fab Four crossed the road three times as Macmillan landed a shot each time. Paul McCartney looked at the contact sheet and it was decided that frame five was the best, with the four musicians walking boldly across the road.

  5. The back cover photo is taken at the other end of Abbey Road

    Anyone looking for the road sign pictured on the back of Abbey Road will have a tough job. First, the Beatles scholars Piet Schreuders, Mark Lewisohn and Adam Smith established that the location of the sign was at the OTHER end of the road, at the junction of Abbey Road and Alexandra Road, near South Hampstead station. Second, the area was redeveloped in 1972 to make way for the Alexandra and Ainsworth subdivision, which opened in 1978.

    One of the few remaining originals

    One of the few remaining original “Abbey Road” signs photographed in 1998.

    Image: Brian Rasic / Getty Images

  6. Why is Paul McCartney barefoot on the cover of The Beatles’ Abbey Road?

    According to designer John Kosh, “The reason he took off his shoes was because they were too tight.” August 8, 1969 was a particularly sunny day and Macca lived around the corner in St John’s Wood, so he walked around the studios in sandals. For a classic McCartney prank, he crossed the road several times without the shoes on – it had nothing to do with being a “clue” that Paul McCartney was dead (see below).

    The Abbey Road Billboard on Sunset Strip, LA, December 1969

    The Abbey Road billboard on Sunset Strip, LA, December 1969.

    Photo: Robert Landau / Corbis via Getty Images

  7. What are the “Paul Is Dead” clues on the cover of Abbey Road?

    By the end of 1969, a crazy conspiracy theory began to swirl around that Paul McCartney was actually killed in a car crash in 1966 and was replaced by a lookalike. Besides that Paul was out of step with his band mates and walked barefoot, there were other “clues” on the sleeve that the Beatles had “planted” to get the message across to their fans.

    White Volkswagen Beetles that carry a license plate saying “28IF” – Paul would have been 28 years old IF he had survived (he had actually just turned 27); the police van on the cover is commonly seen in traffic accidents; and the four Beatles represent a funeral procession: George is the gravedigger, Paul is the corpse, Ringo is the congregation, and John is the priest.

    McCartney parodied the whole affair in the title and cover art of his 1993 concert album Paul is live.

    Paul McCartney's Paul Is Live album (1993)

    Paul McCartney’s album Paul Is Live (1993).

    Image: Press

  8. Three of the Beatles wear designer costumes

    John Lennon, Paul McCartney and Ringo Starr all wear costumes from the Welsh designer Tommy Nutter. George, however, has always been her own man and rocked that day in double denim. Nutter went on to conceive Jack Nicholson ‘s costume when he played The Joker in the 1989 Tim burton version of Batman.

    Tommy Nutter in his shop in November 1969

    Tommy Nutter in his shop in November 1969.

    Image: Jones / Evening Standard / Getty Images

  9. It wasn’t the last Beatles photoshoot

    Although Abbey Road was the last time The Beatles were together in the studio, the filming of the album cover was not the last piece of the Beatles’ pictorial activity. The four reunited two weeks later on Friday August 22, 1969 at John’s home in Tittenhurst Park in Ascot, Berkshire, for one final photoshoot. Yoko Ono and Linda McCartney joined them that day. One of the images was then used on the cover of the Hey jude LP compilation.

Be sure to visit the official Abbey Road Studios accounts for more great photos of this iconic rock spot.


Lil Nas X parodies Drake’s album cover … with emojis of pregnant men Mon, 30 Aug 2021 07:00:00 +0000


Just hours after Drake finally officially announced the release date of his long-awaited next album “Certified Lover Boy” – which apparently has a cover containing several emoji-like images of pregnant women – Lil Nas X jumped in posting a similar for his long awaited next album “Montero”… except with pregnant men.

This is just the latest move from the virtuoso social media character of Nas, who he spoke to. Variety about her cover story earlier this month. He has used both to strike down at enemies, especially the homophobes, advancing his convictions with a rare combination of gall, frankness, and wit. “You are all silent as hell when the n – s devote their entire catalog of music to rap on the fact of sleeping with several women,” he replied on Twitter to one of them criticizing his. “Industry Baby” video. “But when I do something sexual at a distance, I’m ‘sexually irresponsible.’ You all hate gay people and don’t hide it. On a lighter and more characteristic note, shortly after its public release, he tweeted : “I just found out I’m gay and won’t play my music anymore. I’m sorry this shit is wrong.”

In a post on social media last week, the rapper and singer revealed that the album will be released on September 17. Along with the date announcement, Nas also released an album trailer featuring an unreleased song.

“Creating this album has been therapy for me,” Nas wrote in his announcement post. “I have learned to let go of controlling people’s perceptions of who I am, what I can do and where I will be. I realized that the only opinion of me that really matters is mine.


A Boogie Wit Da Hoodie Reveals New Album Cover Mon, 23 Aug 2021 07:00:00 +0000

Despite the revelation, the artist’s fans don’t believe he will release the album until next year.

It looks like New York rapper A Boogie Wit Da Hoodie is gearing up to release his new album, sharing a trailer for the upcoming project on social media, along with the cover art.

After his stellar performance at Summer Jam over the weekend, A Boogie started promoting the release of his upcoming studio album, sharing an animated trailer with butterflies surrounding him and helping him fly away. to a new world. The cover shows the rapper standing in a heart-shaped hoodie, seemingly alone on another planet. The promo seems to be for the album A boogie against. Artist, which has been teased for months.

In the caption to his post, A Boogie suggested he was in no rush to release the new music, writing, “#NODATE #FREEAVA.”

Jeff Kravitz/Getty Images

Her caption has fans wondering when the album will be released, with many commenting that they think it won’t drop until next year. “Yes, it won’t drop until next year,” said the top comment. “No date wtf,” complained another. “What does that mean undated,” added another weary fan. “you’ve had all this time and you still don’t have a date? smh you disappoint me and my artist homegirls.”

Do you think A Boogie will succeed and release the album this year, or are his fans right that he won’t until 2022? Watch the trailer below.

A Boogie Wit Da Hoodie reveals new album art Mon, 23 Aug 2021 07:00:00 +0000


Despite the reveal, fans of the artist don’t think he’ll release the album until next year.

It looks like New York rapper A Boogie Wit Da Hoodie is getting ready to release his new album, sharing a trailer for the upcoming project on social media, as well as the cover art.

After his standout performance at Summer Jam this weekend, A Boogie began promoting the release of his upcoming studio album, sharing an animated trailer with butterflies assaulting him and helping him take flight. to a new world. The cover art shows the rapper standing in a heart-shaped hoodie, seemingly alone on another planet. The promo appears to be for the album A Boogie Vs. Artist, who has been teased for months.

In the caption of his post, A Boogie suggested he was in no rush to release the new music, writing “#NODATE #FREEAVA”.

Jeff Kravitz / Getty Images

His caption makes fans wonder when the album will be released, with many commenting that they think it won’t be released until next year. “Yes, it won’t go down until next year,” said the most popular comment. “No wtf date,” complained another. “What does missing a date mean,” added another tired fan. “Have you had all this time and you still don’t have a date?” smh you disappoint me and my homegirls artist. “

Do you think A Boogie will get away with it and release the album this year, or are its fans right in thinking it won’t be released until 2022? Watch the trailer below.


]]> 0